Those guys are too self-aware, and they couldn’t get the keyboard settings right. This isn’t Craig Finn or Brian Fallon’s Springsteen at papa-ooh-mow-mow speed. On the Ramones-paced “Mayday,” PUJOL imbues the label’s traditional homemade sound with probably the most twin-guitar solos to ever hit Nebraska. Just ask the excellent and somewhat underrated Tokyo Police Club. Saddle Creek’s roster hasn’t gotten worse at all as its begun incorporating fewer bootstrap DIY artists and more young people who learned to shred their axes. But they still sound nice and nasty, even on the well-worn “Be My Baby” beat. “I can’t eat, I can’t use my mouth,” he sneers through his ultra-lysergic vocal bite, which has been Deer Tick’s signature audio tic since the timeless-sounding 20-somethings first got their shit together for an album. But it’s not a cliché to say they do it well, that little guitar and bass subtleties poke through and around the singing, or that the guys’ backup voices and occasional squirt of Hammond organ don’t invade and overpower the perfect analog sizzle. The four-piece Alabama Shakes are purveyors of trad-soul with a modest EP and energetic turns of melody. And best of all, it’s free! You can download the sampler by going to this URL: American Songwriter is proud to present the The Muse October Sampler, a hand-picked selection of ten new tracks from some of our favorite artists.
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